Smashwords is having their 10th Annual Read an Ebook Week Sale, and I’ve enrolled Red Soil Through Our Fingers in the 100% off category for this sitewide promotion! So, if you’ve been meaning to check out the start to the Red Soil series (more coming soon… I swear), this would be a great time to hop on board.
From March 3-9, just use code EB100 when you checkout to get the book for free. Also, absolutely browse the large collection of other fine ebooks available on Smashwords and their distribution channels, which are discounted this week at either 25%, 50%, 75%, or 100% off.
My latest short story, The Storyteller, has been bought by Rampant Loon Press! I’ve been working on this one on-and-off for about five years now. It’s gone through several periods of mothball status and at least two rounds of workshop critique from my writer group — so by no means an easy road to the finish. Ringing in at around 5700 words (pared down from over 7000), it’s also one my longest short stories.
The Storyteller is a response to a couple of converging thought threads that I’ve had in recent years. Firstly, I wondered if it was possible to envision a scenario in which humanity unites around something besides a common external threat. I wanted to attempt the kind of “optimistic” scifi that also doesn’t avoid meaningful conflict, which it seems many people are looking for but can’t quite find these days.
Finally, it’s also just a relief to get something new out there at all. For various reasons, my writing really bogged down following the publication of Red Soil Through Our Fingers, and it’s been over two and a half years since I’ve been able to publish anything new. I’m hoping that this gives me a motivation spurt to get my writing back on track, and get my finished story portfolio caught up a bit with the idea queue in my head.
Now that The Storyteller has been purchased, I have hopes it will appear in a forthcoming issue of Stupefying Stories magazine. I’ll be sure to blog and toot when it is released!
The Parched Lands, my short story that was first published in 2013 in Issue 7 of Crossed Genres Magazine, is now available for free from Smashwords, as well as other ebook retailers such as Barnes and Noble, Kobo, and the Apple iBook Store. Retailers besides Smashwords may take several days to index the story.
(Kindle Users: I no longer distribute on Amazon. However, you can still read my books! Buy from Smashwords, and you will be able to download the book in .mobi format. You will need to move the .mobi file to your Kindle (via USB), or you can read it via the Kindle Reader mobile or desktop apps.)
Amanthi is a teenage student in a not-so-distant future school system of hyper-testing and top-down control. In this world, creativity is a liability — but Amanthi is not deterred from dreaming. My short story, “The Parched Lands”, delves into the tangled issues of race, tracking, high-stakes testing, and creativity starvation that run through America’s public school systems.
For well over a year now, I’ve been spinning my wheels on a sequel to Red Soil Through Our Fingers. Despite the well-known writing advice that the first draft will be crap and you just have to power through it, somehow the three drafts I’ve started and scrapped so far seemed to have more wrong than merely being ordinary first-draft crap. Something really fundamental felt like it was missing.
So I finally took a break from trying to write the fourth do-over and decided to just freewrite about what I love in the sci-fi novels that I read. I analyzed my very favorite speculative fiction novels for common threads, and tried to distill them into individual motifs. The results were enlightening, and subsequent work has helped me re-plan and restructure the work-in-progress to better align with the elements of speculative fiction that I find exciting.
It’s just a few days to July, and I’ll be using Camp NaNoWriMo to jump-start a first draft of the sequel to Red Soil Through Our Fingers. Having moved from Boston to a much lower-stress pace of life in Virginia a couple of months ago, I’m now through the post-move transition and ready to draft some fiction again! Incidentally, Camp Nano was what led to the initial draft of Red Soil as well, so it’s fitting that the sequel will begin its life the same way. I’m also excited that several members of my writing group are joining in, plus some friends of ours as well!
Here’s my working “back cover” premise:
Yoo Sun-Hee has been left in charge of Hellas-Dao, a Mars colony caught in a power struggle that now ripples across the solar system. Surrounded by enemies and unsure of her allies, she must somehow defend the colony against all comers and navigate a path to freedom. Meanwhile, the thousands of colonists under Sun-Hee’s watch don’t see eye-to-eye on the best course for the future. As governments and mega-corporations battle for supremacy of interplanetary space, those living on the red soil of Mars descend into infighting and faction. A single spark could set off violence that will destroy the colony — or its hopes — from within.
Questions I’d like to explore:
How do we construct a functional society from factions that vehemently disagree over fundamental values, to the point of active hatred and violence? Is separation the only/best choice?
When loyalty to principle conflicts with loyalty to those we love, how do we decide which takes precedence?
When is it morally permissible to disobey legitimate orders or reveal secret information you promised not to reveal? (Thinking about Ed Snowden, Reality Winner, et al here.)
What is the line between freedom fighter and terrorist, and who gets to decide? Is the difference truly just in the eye of the beholder? Are there ends so important that they justify morally questionable — or even reprehensible — means? (This is a touchy one… I’m by no means intending to justify terrorism, and I do believe there are both hard lines and gray areas. I find the broader question interesting though, from a social, political, historical, and not mention contemporary perspective.)
If we truly had an opportunity to “reset” a government/society and shed generations of precedent, what would we build?
The podcast Arjun’s Arrow has set the following principles for itself:
provide a message through the grassroots
spread information through education
revive the human spirit through knowledge of self
I was honored to be the second-ever interview guest of Arjun Collins, host of Arjun’s Arrow, a good friend, and former colleague. Check out this audio interview of me about Red Soil Through Our Fingers. We had a great conversation about economic exploitation, engineered environments, genetically engineered crops, the need for a strong public space policy, and how the exploration of space can help us develop technology for sustainable living here on Earth.
Post a comment and subscribe (either here or on Arjun’s Arrow) and I hope you enjoy the dialogue.
This post is the first in what I intend to be several recaps of some of the most thought-provoking moments during this weekend’s Arisia science fiction and fantasy convention.
First of all, I have to thank Andrea Hairston. As a panelist and audience member, moderators have consistently been the most significant factor affecting the experience of con panel. Andrea was our fearless leader during this panel and I think we all owe her thanks for her energetic and positive management of the conversation.
Panel Description: Is Optimism Just Nostalgia in Disguise? – Marina 2, Literature, Sun 11:30 AM: We are hearing, after a long sojourn in dystopia and postapocalypse, that optimistic SF is making a comeback. Is it really the case or is the optimism of yesterday just another type of nostalgia? When climate change, postantibiotic medicine, and resource depletion are major factors in our lives (topics that are not always as well addressed in optimistic SF), is there a way to temper our optimism and inspire those who might be able to face these problems? Panelists: Andrea Hairston (mod), N.A. Ratnayake, Matthew Kressel, T.X. Watson, M.J. Cunniff
I was happy that the conversation could begin with every panelist answering the titular question in the negative: no, optimism is not just nostalgia in disguise. We had different perspectives as to why and how to move forward, but it was great to have that connecting thread. I won’t (and really can’t) give a transcript or summary of the conversation as it happened, but here are some of my key conclusions that I took away.
[SPOILER ALERT: If you haven’t yet seen Star Wars: Rogue One, skip the section “Positive Stories in Negative Spaces.”]
SciFi Policy has posted an in-depth interview of me about the social, political, and economic issues in Red Soil Through Our Fingers. SFP is a group that seeks to review, discuss, and advocate for science fiction that helps us explore issues of political, social, and economic importance. Check out this interview for discussion of Red Soil‘s plot and characters, human spaceflight, space settlement, corporate space, Mars, and my favorite policy-relevant fiction!
The story of Red Soil Through Our Fingers takes place against the backdrop of Hellas-Dao, a Mars colony owned and operated by the Rekos-Breland Xenomaterials Corporation (RBX). Though the setting is obviously fictional, I wanted to make sure that I incorporated much of what we already know about Mars and what future Mars colonies might look like. Though I have a background in aerospace engineering, neither Mars nor Mars colonization architectures were my area of expertise. The process of researching defining the setting for the novel was a lot of fun.
Red Soil Through Our Fingers will be my first published novel-length work. But I’m not the only one with a “first” coming up in January… it will also be the first time graphic artist Stephanie Hoover will have her art on the cover of a published novel!
Stephanie and I grew up together on the same street in suburban Idaho. We lost touch over the years, but reconnected last year through social media over the intersection of our creative passions. Cover art is a special genre; it brings together the crafts of writing and graphic/visual art into a unified symbol of a story. Stephanie was kind enough to answer a few interview questions about her approach to the cover for Red Soil Through Our Fingers, as well as her work in general.