My novel-in-progress, Red Soil Through Our Fingers, takes place in a farming settlement that is part of a Mars colony. As I wrote Draft Zero, there was a lot of handwavium going on with respect to various technical details — the focus on just finishing the story. Now that I’ve progressed about a quarter of the way into Draft Alpha, I’m needing to clean up some inconsistencies and gaps. Today I figured out a piece of the story world that is good for me to know as I construct the novel, but probably won’t make it explicitly into the next of the work: how various molecules necessary for both human life and agriculture are going to be circulated on this Mars colony.
I’m excited to be collaborating with graphic artist (and childhood friend) Stephenie Hoover on cover art for some of my work. A few months ago I sent out an email query to several friends that I knew were into graphic art, asking if anyone could be interested in working with a writer to develop cover art and other hybrid creative projects. Stephanie responded, and a few weeks later she had the first pass of a cover for my short story Remembering Turinam ready. I really like how she made Grandfather’s farm real in the near-ground, with the imagery of the Turinam valley, the Khem river, and the Dorhal mountain range forming a grand backdrop in in the distance. I’ll be honest — it’s not actually how I imagined the scene as the writer. And I think that’s a great thing.