I’ve come to this book later than most, and I’m so glad I did.
I’ll start with the criticism. First let me acknowledge that, as a book published in 1965, Dune contains a few elements that are likely to be problematic to the modern reader. The world depicted (which is an active choice made by the author) is almost universally patriarchal — not just one society, mind you, but all of them, with the possible exception of one. (However, even that one, the Bene Gesserit multi-generational society of powerful sorcerer-ninja women, is incomplete and cannot fulfill its ultimate purpose until a LONG-PROPHESIED MALE CHILD is born to do what somehow none of them can.) And apropos of long prophesies, the story is definitely among the Chosen One narratives, which seem to have gone decisively out of style (at least in more literary science fiction).
All that said, I was thoroughly engrossed in the world: the captivating setting with its desert aesthetic strongly influenced by the Islamic world, the interweaving of complex politics and deep religions, and the layers upon layers of motivations and counter motivations that tear at almost any character with a name. Dune also falls within the prestigious company of those few books that I’ve read which manage to blend hard science fiction and fantastical elements seamlessly together in the service of evoking wonder — such as Revelation Space or Anathem.
I’m hooked. I can finally understand why Dune became the genre’s gold standard for science-fiction that isn’t afraid to talk about the human element, and does it exceptionally well. I definitely plan to add the rest of the series to my To-Read list.